The Life of the Author / (Record no. 19688)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02125nam a22001937a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | BT-SaRUSC |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250320085501.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 250320b |||||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781927852002 |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 921 |
| Item number | KOZ |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Kozloff, Sarah |
| 245 ## - TITLE STATEMENT | |
| Title | The Life of the Author / |
| Statement of responsibility, etc | Sarah Kozloff |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc | USA: |
| Name of publisher, distributor, etc | Caboose, |
| Date of publication, distribution, etc | 2014. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 66p.: |
| Dimensions | 23 cm. |
| 490 ## - SERIES STATEMENT | |
| Series statement | When Roland Barthes and Michel Foucault proclaimed the "death of the author" fifty years ago, they did so in the name of freedom. They could never have foreseen that its indiscriminate embrace by many film theorists would turn the anti-authorship stance into a restrictive orthodoxy. Sarah Kozloff daringly advocates a new paradigm, a theory of film authorship that takes into account flesh-and-blood filmmakers, including their biographies, their intentions and their collaborations. Building upon scholarship by Noël Carroll, Paisley Livingstone, Robert Carringer and Paul Sellors, Kozloff argues that we watch films in large part to feel a sense of communion with the people behind them. Writing with clarity and verve, Kozloff moves gracefully back and forth between film history and film theory. She offers an extended examination of The Red Kimona (1925) in order to demonstrate how knowledge about the people who created this intriguing early feminist movie can change a viewer's interpretation. "I believe art works are made by people operating (struggling) within their historical moment. Without denying or downplaying larger cultural forces – indeed, while drawing them into the mix – I want to study films from this standpoint. Yet, I do not think of myself as a naïve fan. Filmmakers as famous, successful celebrities hold no interest for me. If I am teaching or studying a film, however, I do want to know how the filmmakers' biographies, intentions and agency combine with these larger social structures to influence the text before me." ― Sarah Kozloff |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc | Includes Notes. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Books |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection code | Home library | Current library | Shelving location | Date acquired | Inventory number | Total Checkouts | Full call number | Barcode | Date last seen | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Dewey Decimal Classification | Non-fiction | Samtse College of Education | Samtse College of Education | General Stacks | 20/03/2025 | D 5255 | 921 KOZ | A21124 | 20/03/2025 | 20/03/2025 | Books | |||||
| Dewey Decimal Classification | Non-fiction | Samtse College of Education | Samtse College of Education | General Stacks | 20/03/2025 | D 5254 | 921 KOZ | A21123 | 20/03/2025 | 20/03/2025 | Books |